In the sixteenth century, reforms first under Henry VIII, then under Edward and Elizabeth, resulted in the removal of Catholic images and objects of veneration from churches. A more thorough programme of iconoclasm was carried out under Cromwell; one of its most energetic proponents was William Dowsing, who visited hundreds of churches across Cambridgeshire and Suffolk, recording what he ordered to have removed, defaced or destroyed. Amongst his favourite targets are the so-called ‘angels of the roof’ popular in East Anglian churches.
In the church at Binham Priory, under a new layer of whitewash with fresh-painted Bible verses in gothic blackletter, the saints lay buried lay with their eyes still open and their mouths solid with plaster-dust. Katherine and Apollonia, Michael, Zita and Roche waited patiently under their pall of lime until such time as the world outside should remember the established faith. At times the wait seemed very long and the black letters very heavy. Strange voices from the pulpit roared and boomed in increasingly strange varieties of English; there were no sounds of sacring bells or chanting processions, so it was hard to measure the passing of time. But the saints waited, and eventually the whitewash faded (though the blackletter remained, like prison grills over windows), until the saints could peer through its thin remains.
Their painted eyes frozen in horror, at first the saints saw only whiteness. The world was gone. Blank walls faced them. Sharp light slanted against bare stone. There were no candles burning. No smell of incense. No God.
Meanwhile, in St Nicholas at Lynn, the angels waited grimly for their turn. Staring furiously down from their ranked roof beams, they held their wooden wings outspread, like divers preparing to fall. They had watched, disbelieving, as men carried out rood screens and painted over images; as soldiers smashed windows with their pikes and slashed the statue of the Mother of God. They had seen how the cold grey light of the new windows fell harshly on the white-painted rood screen with its blackletter English prayer, beginning to wear through the flaking layers of the whitewash. Now they saw more men, with saws and chisels and ladders. Mouths open, the roof angels breathed a silent liturgy of St James, their voices roaring above the reach of human hearing, an endless song of mortal flesh, trembling in fear. As they watched the men tramp in and out, they heard each other’s wordless thoughts as those thoughts rose to a chant of vengeance. Messias. Sother. Emanuel. Sabaoth. Adonay. There was the faintest shifting sound, as if of old, brittle, light wood were splintering from the pins that might hold it in place.
Down in the nave, the men huddling around their ladder paused for a moment, as if hearing something. A dislodged spider dropped, suddenly, on its thread and hung, scrambling, in mid-air. The men shook themselves, remounted the ladders.
The angels’ silent voices rose in agreement.